Awards

Hugo Nomination Rumination

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As I’ve mentioned on social media, I only have two works eligible for awards nomination from 2017: The Stone Sky, and my Uncanny short story Henosis. Last year was tough, so I didn’t get much writing done. I’m sure a lot of you can relate. But since people have asked for my thoughts on this… Please, if you’re going to nominate The Stone Sky in any form, do so in the Novel category, rather than nominating the whole Broken Earth trilogy for Series. I mean, I can’t stop you from nominating it however you like — but let me point […]

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Withdrawing from the Dragon Awards

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So, amid the furor of preparing for a book launch, I’ve had to divert time to another matter. I found out belatedly that The Obelisk Gate had been nominated for the Dragon Awards, basically when I started to hear murmurs that the awards were especially problematic this year. I went to go see what the problem was… and lo and behold, there was my book. No one had notified me I was on the ballot. Apparently not many people affiliated with DragonCon even know the awards exist, or that voting is currently open. So basically I found out by complete

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Scattered Post-Hugo Thoughts

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These will be scattered because I’m in the middle of today’s wordcount, and therefore I don’t have time to make them clear or organized in any way. Book 3 proceeds! I’ve had time to process the Hugo win, a little. Mostly I did it by spending yesterday introverting and writing, because that’s how I chew on momentous things. Didn’t quite hit my target — only 2000 words instead of 3 — but still did okay. But now I’m finding my thoughts wandering in directions both personal and contextual. Partly that’s because people keep asking me how I feel. I’m not

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HOLY FUCKING SHIT I WON A HUGO

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In realtime, I am speechless. Fortunately, I wrote a speech ahead of time, which was read beautifully by Campbell nominee Alyssa Wong in my stead at the ceremony. Here’s the text: My apologies for not being present this evening; I’m deep in Deadline Hell right now on book 3 of the Broken Earth trilogy. I’ve thanked them already in the acknowledgements, but I really want to thank the people who talked me down from quitting this book. At the nadir of my Chasm of Doubt — hat-tip to Kate Elliott for the term — I thought THE FIFTH SEASON was

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So, this happened

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Yeah, so. Cool. This makes Hugo nom number three. Going to be an interesting year. But all things considered, I’m pleased; I’m actually going to have a hard time voting in my category because I like some of my competitors better than I like my own work. Congrats to those of my fellow nominees who earned their spots with skill, creativity, and fair play!

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Whew.

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That’s a sigh of relief. One less thing to feel conflicted about. One more thing I can celebrate freely, easily, and without reservation. I’m talking about the World Fantasy Award, which will now no longer be represented by the head of H. P. Lovecraft. My feeling re the whole thing is a) ’bout time, and b) whew. Because while I have no idea if I’ll ever win a WFA myself — I’ve been nominated twice and that’s awesome — I have watched other anti-racist friends and fellow writers of color win the award. It’s impossible not to feel that visceral

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An open letter to the WSFS about unintended consequences

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ETA: I missed that there’s been a new development since I started writing this; the folks putting forward the proposal are dropping the novelette clause. Still not liking the “saga” portion of the proposal either, for the reasons I’ve said here and which Scalzi said in his post, but at least the proposal isn’t actively harmful anymore. Whoa. Did you guys think this through? No, seriously. Beyond whether “The Wheel of Time” could get a Hugo, or whether you, personally, like short fiction or not. Did you consider how proposal B.1.3 looks, both within and outside SFFdom? What message it

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Not the affirmative action you meant, not the history you’re making

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So many people have said so many good things about the Hugo Awards debacle in the past few days. I haven’t said much myself because a) I’ve got a book to write, and b) I don’t really care. I mean, I do care about the Hugos; this is a respectable award, which as George R. R. Martin wisely points out has value because the people of Worldcon over the decades have worked their asses off to build its value. Unlike GRRM I think the contributions to that value actually go beyond Worldcon; it’s also been built up by the librarians

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Contemplation, at the end of a season

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It’s the end of awards season in SFFdom. The Killing Moon was published in May of 2012, and I meant to address this in May of 2013, after it had been on the market for a year — but when the book got nominated for a Nebula, a Locus, and the World Fantasy Award, I decided to wait and see if it won any of them. Alas, it did not. (The Shadowed Sun won a Romantic Times Reviewers’ Choice, tho’!) That said, the old aphorism that it’s an honor just to be nominated is very much truth for me, and

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