Controversies

Withdrawing from the Dragon Awards

So, amid the furor of preparing for a book launch, I’ve had to divert time to another matter. I found out belatedly that The Obelisk Gate had been nominated for the Dragon Awards, basically when I started to hear murmurs that the awards were especially problematic this year. I went to go see what the problem was… and lo and behold, there was my book. No one had notified me I was on the ballot. Apparently not many people affiliated with DragonCon even know the awards exist, or that voting is currently open. So basically I found out by complete […]

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It could’ve been great

You know, the thing I always try to remember when I’m borrowing from mythology is to be a shit-ton more careful with still-living traditions than I am with those long gone or transformed away from their roots. I feel relatively safe treading on the threads of Egyptian myth because there isn’t a centuries-long-and-ongoing history of using, say, the worship of Bast as an excuse to steal people’s ancestral land and children in the name of Christianity. But you know what? I’m still careful, even with “dead” faiths, because I don’t know how playing with these things might hurt real people.

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Whew.

That’s a sigh of relief. One less thing to feel conflicted about. One more thing I can celebrate freely, easily, and without reservation. I’m talking about the World Fantasy Award, which will now no longer be represented by the head of H. P. Lovecraft. My feeling re the whole thing is a) ’bout time, and b) whew. Because while I have no idea if I’ll ever win a WFA myself — I’ve been nominated twice and that’s awesome — I have watched other anti-racist friends and fellow writers of color win the award. It’s impossible not to feel that visceral

Whew. KEEP READING

An open letter to the WSFS about unintended consequences

ETA: I missed that there’s been a new development since I started writing this; the folks putting forward the proposal are dropping the novelette clause. Still not liking the “saga” portion of the proposal either, for the reasons I’ve said here and which Scalzi said in his post, but at least the proposal isn’t actively harmful anymore. Whoa. Did you guys think this through? No, seriously. Beyond whether “The Wheel of Time” could get a Hugo, or whether you, personally, like short fiction or not. Did you consider how proposal B.1.3 looks, both within and outside SFFdom? What message it

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Not the affirmative action you meant, not the history you’re making

So many people have said so many good things about the Hugo Awards debacle in the past few days. I haven’t said much myself because a) I’ve got a book to write, and b) I don’t really care. I mean, I do care about the Hugos; this is a respectable award, which as George R. R. Martin wisely points out has value because the people of Worldcon over the decades have worked their asses off to build its value. Unlike GRRM I think the contributions to that value actually go beyond Worldcon; it’s also been built up by the librarians

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Confirmation bias, epic fantasy, and you

Ya’ll, MedievalPoC is (hopefully) going to be at WisCon. By a funny chance, I will be, too! (Imagine that.) I am totes going to fangirl all over them. Posts like this are why: Seeing this post reminds me that someone I’ve known for years, and who has a rather expensive college degree, said these exact words to me in regard to ASOIAF/Game of Thrones this past Tuesday at a gaming tournament: “Things were just like that back then.” There were not enough faces for me to palm. I just ended up yelling, “When was that again?? In the good old

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Pretty much the only comment I’ll make here on the current SFWA shenanigans

Because dozens more people* are talking about and archiving it already. Nothing but admiration for folks who have the patience and blood pressure left to spend on this, but I can’t headdesk anymore. I need my head, and my desk, to write. Doing this pre-coffee, BTW, and hepped up on cold medicine, so brace yourself. But here’s the thing: I am all about the First Amendment**. Most writers are. And if this current brave blow in defense of artistic expression had been actually about artistic expression, I might’ve been in their corner. If they’d gone to bat like this, poured

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The Ten Percent

Note: Since I had 10 weeks to think about SFWA’s potential decision re Mr. Beale, I wrote two reaction posts. The one I posted last week is, thankfully, the “if he’s expelled” version, and I followed it up by renewing my SFWA membership. Below is what I would’ve posted if he had not been expelled, and I would’ve preceded it with a membership cancellation. As you can see, both posts use some of the same elements and arguments, though I think there’s an emotional difference that makes posting this one worthwhile. I also think it’s worthwhile to continue the larger

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Time to pick a side.

I’ve written two different posts about this issue. Circumstances decided that this one got posted first; good. I might post the other. Depends on how I feel over the next few days. So, I’ve had a few weeks to think about the fallout from my Guest of Honor speech at Continuum. I’ve also had a few weeks in which to observe the SFWA controversy that was brewing before my speech, in response to the Malzberg & Resnick articles in the Bulletin. Lots of other things have happened during that time, on both the micro and macro scale: yet another incidence

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Continuum GoH Speech

Apologies for not posting this sooner, folks; my schedule as a GoH is packed almost solid, and I just got a free moment to upload. I ad-libbed a bit, but this is the text of my speech from earlier today at Continuum. Might miss some emphases and other formatting; no time to check it right now. Warning for profanity. My father was afraid for me to come to Australia. He mostly made jokes about it — “Good, you’ve got dredlocks, maybe they won’t think you’re Chinese”, stuff like that. But I know my father, and I know when the jokes

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