Thinkythoughts

From the Mailbag: The Unbearable Baggage of Orcing

Awhile back I got an email from a reader which asked, “When are you going to write some real fantasy, y’know, with orcs?” This is a paraphrase, because I didn’t get the reader’s permission to quote (I asked, no reply). But I’d say it’s pretty accurate as to its tone and implications, since the email went on to explain that the reader really really liked me and thought I was a good writer, but hated the fact that the stuff I write is labeled “epic fantasy” when it doesn’t resemble Tolkien much. In fact, the reader felt that this was […]

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Consent is Sexy

Writer Beth Bernobich started this, after hearing complaints that it’s somehow unsexy to seek or confirm consent during sex (or during fictional sex). So far she and Martha Wells have posted examples of sex scenes showing clear consent, so I figured I’d join in. Three posts make a meme, and all that. This one’s probably familiar to many of you; it’s from The Hundred Thousand Kingdoms. Consent was an ongoing theme of the relationship between Yeine and the god Nahadoth, in part because Nahadoth actually can’t do anything to her without her consent, and in part because Yeine is effectively

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Identity should always be part of the gameplay

This is sort of a tangential response to John Scalzi’s “Straight White Male: The Lowest Difficulty Setting. Good article; you should read it… and the comments. Yeah, I know, I usually say don’t read the comments. But I think they’re illuminating, if frustrating, in this case. If you’re not a straight white male, it’s a good idea to understand how even the most liberal of them think. If you are a straight white male, Scalzi’s talking to you; listen. I’ve been playing the hell out of Dragon Age and Dragon Age 2 on the Xbox 360 lately. This is partly

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But, but, but — WHY does magic have to make sense?

Any sufficiently advanced technology is indistinguishable from magic. -Arthur C. Clarke Any sufficiently analyzed magic is indistinguishable from science. -Agatha Heterodyne (Girl Genius) by way of Larry Niven by way of Clarke La la la can’t hear you. -Me This is a whine, not a rant. I rant when I’m angry; right now I’m just frustrated and annoyed. It’s hard out here for a fantasy writer, after all; there’s all these rules I’m supposed to follow, or the Fantasy Police might come and make me do hard labor in the Cold Iron Mines. For example: I keep hearing that magic

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There’s no such thing as a good stereotype.

Rantytime. Warning for profanity — although I’m going to try and rein it in, as best I can. Nobody listens to Angry Black Women, after all. This rant has been partially triggered by yet another discussion of “strong female characters” circulating in the blogosphere. (A good jumping-off point for this discussion is this io9 article, where I butted into the comments for a minute to pretty much make this same point.) This isn’t a new discussion, of course; people have been talking about it for awhile on and off. It’s just the latest hiccup. The strong female character (SFC) is

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Now THAT was a trip.

Back from Hawaii. Exhausted, as one is wont to be after any 12-hour flight and jetlag, but it doesn’t help that I spent the whole trip doing stuff like this: That was day 1 of the trip: a 4-mile hike around and across Kilauea Iki, which is basically the remains of a lava lake that was pretty jumpin’ — by which I mean, boiling hot and utterly deadly — back in 1959. These days it’s a much more sedate place, although the hike is substantially challenging even for people who haven’t just traveled to the other side of the planet

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The Inheritance Trilogy: The Roleplaying Game?

Now, don’t get all excited. Nobody’s offered or expressed any interest whatsoever in creating a game out of the Inheritance Trilogy. It’s just that a fan mentioned the idea on Twitter, and it intrigued me, so I’m bringing the question here: How would an RPG based on the Inheritance Trilogy work? For now, let’s go with tabletop RPGs rather than a video game. Not that the idea of a Squeenix or Atlus take on 100K wouldn’t thrill me — ohholycrapyesitwould — but there’s so many ways for games like that to be formulated. Tabletops, though, are a little more strict.

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Dreaming Awake

Explanatory note: This is an essay I wrote for the forthcoming anthology The Miseducation of the Writer — essays by writers of color on genre literature — to be edited by Maurice Broaddus, John Edward Lawson, and Chesya Burke. I’ll keep you posted on deets as they come. Long ago, in the time before now, black people were all kings and queens. This is not true. There is a strange emptiness to life without myths. I am African American — by which I mean, a descendant of slaves, rather than a descendant of immigrants who came here willingly and with

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We Need a Hero! We Don’t Need Another Hero.

There was an interesting convo in the comments of the last post about how a writer’s background impacts writing — specifically re epic fantasy, but by extension pretty much everything. Foz Meadows summed it up best, I think: Prior to doing this, I might never have stopped to consider whether a white author’s race were impacting their storytelling, but the more I read, the more relevant a question it becomes: not because there’s some obvious stylistic contrast between white and POC authors or anything like that, but because there’s something meaningful in asking why we authors choose to tell the

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