ShiningStar

Stuff related to Book 3, tentatively called THE SINGLE SHINING STAR.

Pause for triangulation

Been working hard on Book 3 of “The Inheritance Trilogy” for the past 7 weeks now, ever since I restarted it with a new PoV character. It’s really flowing — I just hit 75,000 words — which tells me that I’ve found the right voice for it at last. But because a) my outline for this book was written from a different character’s perspective, and b) I’ve been writing so fast I haven’t stopped to re-outline, I’m starting to stumble. It’s the same overall story — but because the different characters of this story do different things and travel in […]

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Random thought.

In The Hundred Thousand Kingdoms, human beings exploit their gods as literal slaves, using their magical abilities as weapons. In Book 2 (name undecided), human beings exploit their gods’ very flesh and blood in various ways. For example, a drug called “godsblood” has become popular in the mortal world, and it’s exactly what it sounds like — small vials of blood drawn from (willing) gods. When humans ingest this, they gain magic power. Book 3 is still in flux, but the core story is solid in my head, and it occurs to me that the gods are exploited in this

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Shoo!! Shoo!!

I’m plagued by short story ideas lately. Have written two of them, actually — a short one set in Brooklyn called “Non-Zero Probabilities”, in which the laws of probability go haywire; and a novelette currently called “Pirate Jessie”, though I’m not sure I want to keep that name. The latter one, a steampunk espionage historical lesbian romantic adventure, was for an anthology invitation. (No, really.) Have other ideas, though, circling ’round my head like gnats. It’s as if, after six months of doing only novel work, my shorts-producing brain cells have revolted, demanding quick hooks and triple pay for overtime.

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Spock and Biraciality

Went to see Star Trek last week. Quite liked it, despite problems like the women of the series still getting short shrift in the agency department, and much of the frenetic action having no real purpose. (Why did Young Kirk trash that beautiful car? I cannot condone random destruction of works of art, not even as characterization shorthand.) But have seen several convos on the ‘net that triggered some thoughts. Namely — whoops, spoiler-cut —

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