N.K. Jemisin

Coming soon!

The Killing Moon

The Kingdom of Gods

In the desert city-state of Gujaareh, peace is the only law. Along its ancient stone streets, there is no crime or violence. Priests of the dream-goddess, known as Gatherers, maintain order: harvesting the dreams of the citizens, healing the injured, and guiding the dreamers into the afterlife. . .

When Ehiru-the most famous of the city's Gatherers-is sent to harvest the dreams of a diplomatic envoy, he finds himself drawn into a conspiracy that threatens to drag the dreaming city into war.

Learn more.

Interview at Sci-Fi Fan Letter

Still on retreat, and making good progress — wrote 2000 words yesterday and did 2 chapters of copyedit. Also, having fun.

But in the meantime, the promotion machine churns on; I did this interview with Sci-Fi Fan Letter awhile back, and they’ve posted it today. Check it out! An excerpt:

When and where do you write?

I make myself write every day, at least a thousand words a day, preferably two thousand. Generally I work best in midmorning to afternoon (which is one of the reasons why I quit my job), and I work equally well in my home office or in a local coffee shop (though that gets expensive and fattening, since I have to “pay rent” by buying coffee and food). When an idea has really grabbed hold of me, though, I start writing everywhere, anytime. I have often brought my laptop to bed with me; once I typed out a few paragraphs while cooking dinner, with the laptop balanced on top of the microwave. Don’t try that at home, kids.

Note: interview contains a spoiler for late in The Hundred Thousand Kingdoms.

Sexing Up Gods Pt. 2: SMITE as an STD

OK! Now that The Hundred Thousand Kingdoms has been out for a week, I can finally start to make some posts that include spoilers. These will be tagged “Spoilerrific” from here forth, and will be cut so that innocent eyes will not be sullied by the GIANT HONKING PLOT DETAILS FROM DEEP IN THE BOOK unless the really want to be sullied by them. So I repeat, if you have not finished The Hundred Thousand Kingdoms, don’t click on the “continue reading” below!

On the heels of my previous post, I had another thought on the topic of “sexing up” gods. Continue reading ›

Mind Meld, Flights of Fantasy

A bit tired today; drove up to Albany yesterday to do a reading at the Flights of Fantasy bookstore. It went well, though there were several amusing moments — my cellphone going off in the middle of the reading was not one of them — like one of the store cats deciding to leap onto the table and inspect my book while I was reading. Also, for those who wonder, the woman with the toddler was a friend and I asked her to bring the baby; had been hoping to meet her at last. (And I desperately wanted to pick her up, but she was looking very dubious after that reading. Everyone’s a critic.)

Well, aside from two-year-olds, most of the people in the audience seemed to enjoy the reading. Since some had read the sample chapters here on my site, I did a mix of old and new — read from chapters 1, 2, and 5. I guess it worked; later the very large stack of books beside me whittled down to only four copies left. I’d guess 18-20 copies got sold as a result of that reading. Cool!

Didn’t get home ’til 2 a.m., though, so feeling blah today.

Perked up to see this, though: I’m participating in the SF Signal Mind again this week, and the question was: “If your work couldn’t have been on the ballot this year, what work would you have liked in its place?” Go see my answer over there. (And go read the story I recommended!)

ETA: Re: Flights of Fantasy. Now that I think about it, it was probably 16 books sold; I think I signed 20 altogether, but 4 of them were just signed copies for the store. Speaking of which, if you want a signed copy of the book, please contact Flights of Fantasy for one of theirs — they ship nationwide!

Pings and plugs

I’m going on a writers’ retreat later this week — the same annual retreat my writers’ group always goes on around this time of year. I really need it, too; between the stresses and labors of launch parties and self-promotion, I haven’t been able to write in over a week. (Feeling kind of spiritually bloated, as a result.) Also, I’ve got the copyedit of THE BROKEN KINGDOMS to entertain me while I’m not writing. Fun times, ya’ll.

(Actually, I’ve found that copyediting is strangely exhilarating — makes me reflect on stuff I wrote in a new way. But it’s also tedious, which is not as much of a contradiction as it sounds.)

Anyway, in the meantime I’ve still got promo stuff happening all over the place. For the entire month of March, I have agreed to be an online guest in the Barnes and Noble Science Fiction and Fantasy forum, where they’re doing a book-club-style reading of The Hundred Thousand Kingdoms. I’ve already joined and been chatting there intermittently, but now I’ll be poking in every day or so. After each set of chapters, they’ll pause for discussion with me. Feel free to join in!

Also, I’m going to be appearing on a number of other blogs this week and next week. First up is the blog of my astounding splendiferous agent, Lucienne Diver of The Knight Agency. She’s hosting a Debut Week at her blog, and I’m honored that she’s chosen to showcase me first. Go read my guest blog there.

Will still be online, note — I’m too shamelessly addicted to the internet to cut myself off from it, and most of Altered Fluid is the same, so we always make sure to secure retreat sites with wireless. Just will be a little quieter.

Thinkythoughts on Caprica and Race

Caught another episode of “Caprica” on TV last night. I’ve been haphazard about watching this series since the miniseries failed to capture my interest, and it’s still not really holding me. But there was nothing else on, so I watched. Note that I’ve missed a couple of eps of this series, so take all below with a grain of salt.

I’ve been intrigued by the construction of the various colonies’ people as races in this society. The show’s creators seem to be trying to do a better job of things since Battlestar Galactica’s early years, when their handling of colony/race led to some really hamhanded and problematic depictions, like the planet of the black fundies, as fellow author Naamen Tilahun calls Gemenon (sp?). Thus far it seems like Caprica’s trying to depict the Taurons as a combination of Mexicans, Aztecs, Jewish people, Arabs, and Italians, maybe with a smidge of Japanese. (Too many, I wonder? An effort to avoid essentializing, certainly, but I’m not sure the mishmash technique is working. I don’t see any other race being given the same distinctive set of traditions, etc. — not even the Capricans, who are supposed to have a “20th century American” culture, I know. But that’s incomplete; where are the Graystones’ religious rituals? Have we seen Caprica City celebrate any holidays? What does their organized crime look like? The result of the Tauron mishmash is that they’re becoming a kind of generic “ethnic people”, while the Capricans are increasingly looking “non-ethnic” rather than “ethnic in a different way”. This falls into common misconceptions that only PoC have a race, and white people are somehow raceless.)

Anyway, in last night’s ep, Joseph dragged his son William — who later becomes Admiral Adama of the BSG series — out fishing with him, and they settled near a large group of teenagers who catcalled racial slurs at them. I found myself perplexed by this whole scene. First off, I’m not much of a fisher, but doesn’t it help to do it in a quiet place, away from a rowdy group whose noise might scare off the fish? But that aside, Joseph stayed near this group, even though there was only him and his son there, and tried to tell William to just ignore the taunts.

This made no sense. Seriously.

OK, Basic Common Sense 101: when you are not part of a big enough group to defend yourself, and/or you do not have weapons and/or you do not know if they have weapons, you do not stay near a large and rowdy and drunken group of teenagers who’ve taken a hate-shine to you for whatever reason. That’s just effing stupid. But then there’s the whole matter of Basic PoC Racial Common Sense 101. A good parent of color (repurposing “PoC” here) teaches his/her child how to deal with racists. You can just ignore them, yes, in certain situations. Given the numbers problem, it would have made far more sense for Joseph and William to simply leave. But since they were going to stay? You do not simply let a group of people like that work up a head of steam. They’ll eventually get drunk enough, aggressive enough, hateful enough, whatever, to attack. The only logical thing to do is head that off at the pass, and show aggression first. That way, if there has to be a fight, it happens on your terms and at a time of your choosing, and will (hopefully) go in your favor.

William chose to do this. His uncle Sam has been teaching him how to survive as a Tauron in the racist Caprican society, so fortunately William has learned the correct coping mechanisms for this situation: he kicked the racist’s ass. Joseph’s strategy would have gotten them beaten or killed, IMO.

I was glad to see that the correct strategy was modeled, and even more glad to see that Joseph finally decided to resort to Tauron methods of dealing with his son, since it seems clear that the kid is going through an immersion/emersion experience. I’m impressed by the show’s handling of this. I’m also impressed by the fact that Joseph’s turn to Tauron culture wasn’t depicted as a failing on his part — i.e., if he would just work harder at being a good Caprican, he’ll eventually be accepted, and his son too! His son’s Tauron traits are a bad thing that must be stopped! Instead, the ritual was beautifully handled, and clearly meant to be a good thing. Still, I wonder if there will be any further analysis of the situation, and the fact that Joseph’s constant attempts to assimilate are likely to hurt him and his son if he keeps it up.

I’m also wondering how, or if, they’re going to explain how this brown-eyed child version of William is going to grow up to be the blue-eyed adult Adama. Maybe they forgot that little detail.

Anyway, just thinking out loud.

Recovery Mode

Last night I had my launch party — don’t get upset if you didn’t get an invite; I restricted the notices to people who lived in NYC, in part because the venue was a bit small. (Also, this has been a hectic time and I get frazzled easily when I’m stressed, so I’m almost certain I forgot some people I should have invited; will apologize to you personally as I remember my multiple faux pas.) Anyway, the party went great despite the Blizzard of February (since I doubt it’ll be the last of 2010) howling outside, and I am incredibly touched that so many people came to help me celebrate in that mess. More on this later.

In anticipation of post-party exhaustion, I set up a couple of things in advance to continue the Launch Week promotion momentum. One of those things was my post for John Scalzi’s “Big Idea” feature over on his blog, which went up today. Go check it out — includes a mini-review of a nonfiction book I’ve been enjoying lately, which I will elaborate on here once I’ve had a chance to finish it.

Now, off to drink some nice tea to soothe my mostly-destroyed voice, after four hours of talking…

IT’S OUT

IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT “it” being The Hundred Thousand Kingdoms, of course IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT y’know, copy and paste is a wonderful feature IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT hey, I saw my book on a bookstore shelf yesterday! IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT huh, I really ought to put something substantive here, but IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT I guess I’m a little excited about it but well IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT IT’S OUT oh I give up.

So. Yeah. It’s launch day. My book is officially out. Just sayin’. Y’know. In case you didn’t notice?

What is Epic Fantasy?

Shamelessly mooching an idea from one of the Amazon discussion forums, in which user J. E. Johnson defined epic fantasy with this list:

I would say in order for a story to be considered ‘epic’ to me, it would have to have the following elements:
1. A multiple book series
2. A quest of some sort that must be fulfilled
3. A main character who must face dangers, overcome foes and somehow change throughout the series (either become a better person or become the villain)
4. A great evil, often times one that uses its several minions to challenge the protagonist
5. A cast of supporting characters who offer our struggling hero friendship, support, laughter and sometimes sacrifice
6. (optional but highly recommended) A journey across a great landscape to take on earlier mentioned evil
I know, sounds rather cliche, but it doesn’t have to be on a grand scale. Some stories I consider epic: LOTR of course, the ‘Eragon’ trilogy, the ‘Green Rider’ series by Kristen Britain, the ‘Tiger and Del’ series by Jennifer Roberson and even Emily Rodda’s ‘Deltora Quest’ series :D.

Johnson is shilling an epic fantasy of her own — nothing wrong with that, we’re all shilling stuff here — so I do wonder whether this has informed her list (i.e., maybe she’s defining epic fantasy this way because that’s the kind of epic fantasy she’s written). In any case, it’s not at all how I would define epic fantasy, personally.

I don’t think it has to cover multiple books, for one thing. I would consider Hope Mirrlees’ Lud-in-the-Mist to be a perfect example of a one-volume epic, or Peter Beagle’s The Last Unicorn. Or to use a more recent and atypical example, Stephen King’s The Stand (which, granted, was big enough that it could have been published as multiple volumes). I don’t think a quest is necessary, either, nor do I think the antagonist — if there is one, because I’m not sure even that’s required — needs minions to impede the protagonist. I think secondary characters can exist for purposes other than just to support the protagonist — and since Johnson uses the word “hero”, I think that protag can be male or female. And I do, absolutely, believe that a grand scale is necessary. I think that’s what makes something “epic”.

But it occurs to me that my tastes are weird. Continue reading ›

Two, two, two interviews in one (post)

The blog tour goes to two places today, folks — first down to Nashville, where I’m in the author spotlight with the Nashville Examiner, where I got a little philosophical during the interview:

So does Jemisin hope that her novel offers a specific message to the reader? “No. Honestly, I think that artists have a responsibility to write whatever is in their soul or head and then stop. Then, it’s up to the reader to draw whatever they want out of it. As far as I am concerned reading is the ultimate interactive experience. The writer gives the words, but there is only so far you can go from there. The reader has to engage with their own understanding and background. I write purely for myself. I write because there are images and voices and characters in my head and I want to get them out. I do it for my own entertainment, and I don’t expect my readers to see the same things.”

Then we shift over to Number One Novels, a site that focuses on debut authors, where they’ve done an interview with me paired with a giveaway contest! (You’ve got ’til the end of the week, note!) I usually try to say something different in every interview, even if it’s the same question I’ve answered in other interviews. Dunno how well I succeeded, but check it out:

NON: I think that names say a lot about a person, especially a fictional person. How did you decide on your protagonist’s full name? Did you have any other names that were in the running?

NKJ: Actually, I usually just pick random sounds! (Gotta love writing fantasy…)

…Not sure what that says about me, actually, but let’s just not think about that, okay?

These folks are helping me spread the word about 100K, so please help me repay them by going over to their site and posting a comment or two! Thanks!

It’s February 22nd. Do you know what that means?

That’s right. It’s launch week! In three days The Hundred Thousand Kingdoms will be officially published. It seems weird to say that, given all the reviews and interviews and such, and the fact that lots of people have gotten their preorders, etc., delivered early. But I can tell you honestly that I’ve been stopping into bookstores all over New York City, hoping for the atavistic thrill of finally seeing

a book, with my name on it, on a bookstore shelf

but I haven’t found it anywhere. Because officially, it’s not out, and some bookstores actually, I don’t know, follow instructions or something. Go figure.

But all this changes on Thursday. On Thursday, I officially become a Published Author. And The Hundred Thousand Kingdoms will be available on bookstore shelves everywhere. In the English-speaking world, anyway. Dunno when the German, French, or Polish editions are coming out. (Oh, yeah, and the book has sold to a Polish publisher! More on that later.)

Anyway, people have said to me, “Nora, I like your book! I would like to spread the joy that is

a book, with your name on it, not necessarily on a bookstore shelf

…so how can I help?” Well, here are some suggestions!

  1. Buy the book.* (Please. Mama’s got student loans to pay.)
  2. Read the book. (This is kind of necessary for the next step.)
  3. If you like the book, tell everyone you know. This includes everyone on Goodreads, Library Thing, and all the retail bookseller sites, especially if they let you post reviews. (The Amazon “post your own review” feature is active now, BTW.)
  4. Under the category of “tell everyone you know”, blog about the book. You’d be surprised at how useful word-of-mouth is to authors.
  5. *If you cannot afford the book, that’s OK. Put in a request for it at your local library. Readers often think this won’t help authors, but it does! The more requests a library receives for a given book, the more likely that library is to order more copies of the book. More copies = sales for me, and you get to read it for free. Everyone wins! (Then please tell everyone about the book, blog about it, etc.)

Don’t forget, BTW, that I’m running a contest for people to send silly photos of themselves with the book. Contest ends February 25th! You could win an advance copy of book 2 of the Inheritance Trilogy, The Broken Kingdoms!


 

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