…Well, that was easy.
A season of endings has begun. It starts with the great red rift across the heart of the world's sole continent, from which enough ash spews to darken the sky for years. Or centuries.
It starts with death, with a murdered son and a missing daughter.
It starts with betrayal, and long dormant wounds rising up to fester.
And it ends with you. You are the Stillness, a land long familiar with catastrophe, where orogenes wield the power of the earth as a weapon and are feared far more than the long cold night. And you will have no mercy.
So, as those of you who follow me on Twitter and FB now know, I’ve been keeping busy in addition to working on book 3 of the Broken Earth trilogy.
So, yep, my piecemeal gig from last year has just become a permanent thing. The new column is called “Otherworldly”, and the first one — which will come out in print on the first weekend of January — is already up online. (No, you don’t have to squint at the text in that image.)
I’m an eclectic reader, so the new column will obviously feature science fiction, fantasy, horror, some YA, some graphic novels, some anthologies, and even some nonfiction where it impacts the genre. I’ve got no problem with self-published or small-press books, although I believe the NYT has a policy forbidding selfpubs if they can’t be found in “general interest” bookstores, whatever that means. I like books that feature complex characters, period, but stereotypes piss me off and stuff I’ve seen too often bores the shit out of me. I don’t “believe in” the Campbellian Hero’s Journey, for pretty much the same reasons as Laurie Penny. Obviously I’ve got a thing for worldbuilding and secondary world or offworld stuff. I believe wholeheartedly in the idea that we all should get to dream, and I look for books that let me.
Some general things to note about this new column:
I think that’s it. Questions? Feel free, in the comments.
I get a lot of really nice fanmail, and I try to respond to all of it (though I can be slow). But I got one last night that really made me feel warm and fuzzy all over. Mentioned it on my FB earlier today, but the reader let me know it was OK to post her note, so I’m putting it here.
True Story: So I ordered a half dozen white cotton handkerchiefs (men’s) from Amazon and when they finally arrived (took forever) they were in a box with two copies of The Fifth Season by a writer I’d never heard of but figured was a woman because of the initials. Contacted Amazon – said mistakes were made, how to return, how to refund, never ordered…blah, blah, blah. Keep them, said Big A. Not worth the price of return when the error’s on them, their loss, my gain.
“Celebrated new voice epic fantasy,” on the front cover, more of same blah on the back, but what the hell – I used to read this kind of stuff when I was a kid; Tolkien out loud as my own kid grew up. No wizards or Orcs or Rangers or Elves. No fairies or witches and (thank God) none of that vampire-teenage romance business. To be honest, tough going at first – who are these, where are these people? But a mother’s just lost her son and the world’s coming apart at the seams and pretty soon it’s clear that I’m sucked down this rabbit hole for good.
Be still and be brave, he tells her for her own good, and I think, this writer knows the way of it, as my heart breaks right along with a little girl’s hand. Everything about this intricate, difficult, beautiful story just resonated for me and I can’t thank you enough for writing it. What a joy it is to discover a new writer who manages to not only tell a good yarn but to reimagine a dusty old genre in the process. I look forward to reading more, more, more! Sincerely, Kathy
OK, pause —
OK, just had to get that out. (A box of handkerchiefs! I got a new fan from a box of handkerchiefs!) Let’s resume.
There does seem to be a theme running through a lot of the fanmail I get, along these lines: people who’d stopped reading fantasy for whatever reason have been reading my work and then feeling pulled back into the genre. And that’s awesome. I love that my audience contains so many “non-traditional” fantasy fans. But this is the kind of thing that shouldn’t be happening just because of my fiction. There’s plenty of fantasy out there with “no wizards or orcs or rangers or elves”… and while I think there isn’t nearly enough fantasy out there starring middle-aged mothers of color (or biracial polyamorous proto-goddesses, or blind black women, or Asian male ex-gods with daddy issues, or gay black male assassins, or shy black female healers, or…), there’s some other stories like that out there, too. So what’s happening here, that so many ex-fantasy readers — readers who really just need one non-formulaic book to bring them back into the fold — aren’t aware that there’s stuff here they might enjoy?
That’s a sigh of relief. One less thing to feel conflicted about. One more thing I can celebrate freely, easily, and without reservation.
I’m talking about the World Fantasy Award, which will now no longer be represented by the head of H. P. Lovecraft. My feeling re the whole thing is a) ’bout time, and b) whew. Because while I have no idea if I’ll ever win a WFA myself — I’ve been nominated twice and that’s awesome — I have watched other anti-racist friends and fellow writers of color win the award. It’s impossible not to feel that visceral clench of empathy when they speak of the awkwardness of Lovecraft, of all people, as the representation of their honor. I’ve heard a number of winners talk about the ways they plan to hide or disguise or otherwise disrespect their own award so that they can reach a place of comfort with it. I’ve contemplated what I would do if I won, myself. (Was planning to put it on full display atop my cat’s litterbox.) I never show off my nomination pins, because I don’t feel like explaining when people ask, “Who’s that supposed to be?”
It’s not right, that so many of us should have a sour taste in our mouths when we speak of triumph and achievement. And yet that’s the position we get put into by the SFF genre again and again, because so many of its honors are… tainted. The Campbell is named after a man who rejected stories featuring black protagonists on principle. The Hugo’s namesake was not without his questionable ideas about black people. The Nebula was twice awarded by a jury that included Vox Day — and yeah, people knew exactly what kind of person he was when they put him on that jury. They did it anyway, because “back then” (as recently as ten years ago) the decision-makers in this genre just didn’t think hating black people or women or Jews or queer people was all that big a deal. A lot of people in this genre still don’t. (We’re so open minded, we dreamers and futurists.) But now here we are, and there’s hardly an honor in SFFdom that I can win without adding a rueful twist to my smile, or a sigh to the end of my cheer.
It wears on the soul, having to think about this.
(And I do have to. A good writer understands how the world works, and doesn’t flinch away from acknowledging what’s wrong with it.)
I’m not calling for the overhaul of all SFF awards — though if the various folks involved decided to consider making changes on their own, great. I get that other people don’t want to taste this sourness when they talk about our genre’s best and brightest. I don’t want to. Which is why it’s such a relief that I no longer have to re the WFA (provided they don’t replace it with something just as problematic). Whether I win or someone whose writing I love wins, I can now whoop and clap and stomp my feet with the same abandon as everyone else. This seems like such a small thing to be glad for… but some of us have to take our small pleasures where we can get them.
Thanks for that, Nnedi and Sofia and Daniel and all the other folks who named the elephant in the room, and pushed this conversation. Thanks to the World Fantasy decision-makers who finally realized you can celebrate an author’s work and still acknowledge that hating black people is a big deal to some of us. Thanks also to the fans, who’ve endured endless circular trollacious contributions to the conversation (e.g. “if we ban the imperfect we’ll have nothing left to read!” even tho nobody was talking about banning and “how much BLOOD on the FLOOR do you WANT, SJWs?!” oh ffs really and “but he was so polite” and so on), and kept it focused on what matters.
Whew. Gonna get back to revisions, now, with a little lighter heart.
So, I’m working on the revision of The Obelisk Gate, now that I’ve gotten my editors’ notes. And as I work on it, I’m reminded of changes that I made to The Fifth Season, in turn. Like this whole chapter that I removed, which would’ve been chapter 5. This was when I was playing with having Alabaster’s PoV included in the story — something I ultimately decided against, because I wanted TFS to thematically be Essun’s story. Note that all of this is non-canonical; I changed some names of places and concepts, some customs, etc., as I revised. So, spoilers, sorta!
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I saw this article suggesting, among other things, that it’s time for Star Trek to feature a non-human captain. It makes sense worldbuilding-wise; the Federation is supposed to be a multicultural and multi-species society. I’d love to see it eventually. Still… at its core, Star Trek has always been about us imagining ourselves amid a bigger universe, and understanding through contact with others what makes us human. An alien character could do that, with good-enough writing. But there’s one more step we should take before we go that route:
A black woman.
There hasn’t been one as a regular on the show since Uhura. FIFTY YEARS AGO. She was awesome — I like the Abrams ‘verse just for showcasing that instead of sidelining her — but it’s long past time for another. I’m getting really, really tired of SFF series being able (however grudgingly) to imagine black men present, but struggling to even remember that black women exist. (Or worse, ignoring black women because black men are present, and playing the There Can Be Only One game.) I have some hopes for this character to be more than peripheral in the forthcoming show The Expanse, but I guess we’ll have to see. Who was the last one before her, Zoe from Firefly? Almost 15 years ago. Martha from Doctor Who? Almost 10 years ago. What, one of us gets to exist in the future once a decade? Fuck that.
I’ve been in my feels a lot about how hard it seems to be for other people to find black women human — worthy of empathy, worthy of human rights, worthy of a moment’s spare attention. A lot of people are working really hard to change this; myself included, as I keep making black women important characters in all of my books. But so much more is needed, and yeah, something as “minor” as who’s running the Enterprise can help. Since black women have historically been at the bottom of the social hierarchy of the US, I think it would be a bigger challenge for the show to put her in the captain’s chair than an alien, but a challenge that’s more worthy of Roddenberry’s vision. SFF’s audience has always been willing to see the humanity of aliens, after all. SFFdom has a much harder time seeing the humanity in some of us actual humans.
So I want a black woman as captain. I want her fierce with attitude. I want her to have natural hair. I want her sexual — hell, pansexual. (Hey, Kirk got his. It can be done without stereotype, with the right writers.) I want her to have a robotic hand, just for shits and giggles. I want her to use capoeira when she has to fight hand-to-hand; she’ll be beautiful. Damn it, I want her fun.
And I want her to embody the quintessence of humanity, because that’s what Star Trek’s captains have always been at their core.
So let’s do this, ya’ll. I have no idea whether Janelle Monae can act, but I nominate her just because she’s already got the vision. Or Jada Pinkett Smith, who can act, but only if she agrees to wear her Niobe hairstyle at least once during the show. Alfre Woodard would be amazing, ’cause she was amazing in ST: First Contact. So many good choices, from among the established actresses — but somebody new would be cool, too. Suggestions?
I’ve been dealing with an unpleasant family issue lately in my personal life. Not anything I intend to talk about here, and I’ve found a good therapist so don’t worry, but thinking about these things triggered some thoughts about family in The Fifth Season that I wanted to share.
Now, As You Know Bob, I am not a perfect writer. It’s entirely possible that I did a poor job of trying to depict the relationships in this story, which are admittedly complex. But here’s what was in my head: the black family. Really, any families formed under oppressive conditions — but obviously black families are what I know best. Now please note: I am not talking about The Black Family ™, which I’m labeling this way because it has been pathologized, idealized, fetishized, stereotyped, and essentialized to such a ridiculous degree that it bears no resemblance to the actual, wildly varied, humanly complicated families that make up any group of people. I’m talking about real families: how people grow and protect and survive together when their very personhood is in question. How love camouflages itself when it’s under constant threat.
There were three families in TFS, roughly matching each of the three protagonists. Spoilers, obvs.
I am cranky this morning. Which is probably why I’m more irked than usual about a couple of reviews I saw over the weekend which included lines like (paraphrasing) “I bet this author thinks…” and “This is obviously Jemisin’s kink…” and so on.
Okay. The author is dead, right, yes, I have to take responsibility for my own part in dancing along the edges of readers’ expectations, and sometimes I screw up. Sometimes, when I try to play with a common trope, I don’t do as good a job as I think of subverting it. That said, how a reader chooses to read something is entirely different from what is actually in my head, and trying to read my mind crosses the line from critical analysis into projection. (Also: rude.) Thing is, I am all over social media. I’m right here on this blog. If you want to know what’s in my head, seriously, just ask. Absent that, your speculations are almost sure to be wrong.
Case in point: over the years I’ve seen a number of comments speculating on why the books of the Inheritance Trilogy feature explicitly sexual relationships between humans and gods. Some folks figure I’m just following stock romance tropes (particularly in the first two books), pairing a woman with a powerful “bad boy” character a la Twilight, maybe trying to capitalize on the erotica market (this one usually comes from people who clearly have never read erotica). Or something. Superficially the books do read like a collection of commonly-used tropes, and that’s intentional. Heck, I’m emulating some of the most ancient storytelling forms in human existence; of course a lot of what I’m doing is going to feel familiar. But there’s more to this than a superficial reading will show you.
First, I’ve said in many interviews that the Inheritance Trilogy was my attempt to write epic fantasy in emulation of ancient epics. Ancient epics were chock full of explicitly sexual godly relations, frequently between gods and humans and most frequently between male gods and human women. In quite a few cases these romantic and/or sexual encounters literally changed the world. So given that focus, it was always going to be a story about love and sex. Second, in the Inheritance Trilogy, I devote a lot of page space to describing the abject horror of living in a world of godly shenanigans: nations wiped out overnight, environmental catastrophes, totalitarian theocracies. Pages and pages of magical mutilation, torture, and violence on a global scale. Nobody bats an eyelash at this sort of thing when it appears in fantasy; it’s normal. But I wanted to devote equal space to describing the wonders that such a world might also offer: castles that float through the air, godlings slinging drugs on streetcorners and selling happiness in whorehouses, a universe-spanning revolution packed into in one woman’s heart (literally). I didn’t quite manage to make it equal; if you do a point-by-point comparison, there’s substantially more pain depicted in the books than pleasure. But I tried… and apparently, that much pleasure is “gratuitous” to some readers. It’s traditional to delicately elide such things, see, and tiptoe around moments of pleasure as if they are somehow indulgent. But I don’t delicately elide anything.
I have a lot more thoughts about the inherent gratuitousness of healthy relationships, whole people, and pleasure, but I’ll save those for another blog post.
Third, look at who is involved in these relationships. How often do you see a woman of color being treated as a romantic object in fantasy? What might be an overdone trope for white women isn’t, for the rest of us — quite the opposite. A story in which a powerful god wants to earn the affections of a brown-skinned woman, or one in which the world nearly ended because of a polyamorous breakup, or one in which a man must compete against his more powerful sister for the affections of an Asian-looking male god… These “cheesy romances” are my challenge to white supremacy, sexism, and heteronormativity. And I suspect that one of the reasons some readers are so quick to disdain these challenges is because that’s how people in our society are trained to react to violations of the status quo.
And no, I’m not usually thinking of all this as I write. Usually, I’m just trying to write something I’ll enjoy. But that’s the kind of thing I enjoy, see: stories that look like X and are actually Y, stories in which Y has multiple layers of meaning. If you can reasonably infer anything about my personality from reading my work, it’s the following: I get bored easily. I despise tradition just for tradition’s sake. And if I’m doing something that looks superficially traditional? Look deeper. Ask yourself why.
Or if that doesn’t work, ask me. ::grumble::
I took a break from writing this month, in part because I’m dealing with a lot of stress from some family issues, in part to recover from the breakneck pace I poured into the end of The Obelisk Gate and launching The Fifth Season, and in part to cleanse my mental “editing palate” for when the edit notes come back on TOG and I need to start revising. I’m working on another project right now — a mental palate-cleanser, just as I needed to write “The Awakened Kingdom” after finishing The Fifth Season — but I’m still at the brainstorming and outlining stage, not writing yet.
And… my fingertips itch.
It’s weird. I am not a “write every day” kind of writer. I write most days, and blow it off when I’m so tired that I’m just going to write crap anyway. But it’s rare that I’m completely without something to write when I want to write, and I’m finding the frustration manifesting in some truly weird physiological ways. Itchy fingertips. A weird need to sit at my computer every day even when I have nothing in particular to do. Disinterest in social media. Daydreaming, to the point that I think, “I should probably stop staring at this cloud/blade of grass/random object” and then I literally can’t look away from it. Restlessness, even when I’m physically and emotionally exhausted.
Most of this is normal for me; I always got dinged for daydreaming when I was a child, until I learned to channel that wild creative energy into writing. But the itchy fingertips are new. ::looks suspiciously at fingers::
I’ll talk about the new project — pardon, projects — shortly; just waiting for some paperwork and an OK from Various People. One of them is something I’m stupidly, fangirlishly excited about, is all I’ll say for now. But until then… writerly folk among my readers, so what kind of weird symptoms do you get when you need to write?
If you haven’t seen it yet via Twitter or Facebook, the Mary Sue is today featuring an exclusive (well, except for here) reveal of Book 2 in The Broken Earth trilogy: The Obelisk Gate. Of which I just finished the raw “zeroeth” draft about two weeks ago. Should be turning in the first draft today or Monday. After that it’s anyone’s guess as to the release date, but considering I’m turning it in literally a year after the publication of the first book, my guess is roughly a year before Book 2 actually comes out. I’ll tell you when I know more.
So… behold! Click to enlarge. Lovely, isn’t it? This one was done by Wendy Chan, a senior designer at Orbit.
Descriptive copy uh doesn’t exist yet, but I can cautiously tell you that Essun’s story will of course continue; you’ll find out what happened to Alabaster and why he Did The Thing; and you’ll find out what’s happened to Nassun, Essun’s daughter.