N.K. Jemisin

Coming soon!

The Kingdom of Gods

The Kingdom of Gods

For two thousand years, the Arameri family has ruled the world by enslaving the very gods that created mortalkind. Now the gods are free, and the Arameri's ruthless grip is slipping. Yet they are all that stands between peace and world-spanning, unending war...

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BLADDOW!!

Y’know, sometimes I just have to stop and contemplate how lucky I am, ya’ll. I mean, there are times when it gets to me: the performance anxiety, the fear of failure, the Bookscan/Amazon/etc. numbers, the deadline pressure, the financial struggle. I’m a “big picture” kinda gal, but I’m also human, and in this business it’s easy to get bogged down in the details. But every so often, something happens that smacks me out of my navel-gazing, and makes me notice the forest, not the trees.

That thing is this:

screenshot of 100K's page on Goodreads

Whassat, you say? A little zoom-in:

closer-up, with 1000 reviews circled

Ahem.

BLADDOW!

(Because every writer needs a little sparkly pink text in her life, now and again.)

Seriously, ya’ll, I know this number isn’t anything special compared with the Chicken Soups of the world… but it’s special to me. Because this number reminds me that there are people out there who read my work, and who care enough about it to comment on it, even if they dislike it. And frankly, the vast majority of them — you — like it (over 70% of those ratings are 4 or 5 stars). I cannot begin to tell you how awed and humbled I am by this.

Thank you. Seriously.

Comforting Futures, and Whether (or Why) We Should Avoid Them

Meant to post this yesterday, but was traveling for the weekend and got home exhausted. So this continues my one-year-long “tradition” of writing anti-oppression-related posts on MLK Day; it’s just late, sorry.

I’m working on a dystopian short story right now. It’s tough going; those of you who follow me on Twitter have probably seen me whining about it, until fellow SFF writer Nnedi Okorafor told me to stop whining and write! So I’m writing.

But one of the problems I’m having with this story is the fact that I keep pulling my punches. It’s set in the future, after a disaster has caused society to reformat itself along theoretically better lines. (Better for whom is one of the important questions of any dystopia.) In the story’s society, they’ve got big problems; I don’t want to spoil things if this story ever gets published, but in essence the human species has been reduced — by another group, which now controls them — to a just-enough-to-continue number. They have some autonomy, and so the continuation may, er, continue, if the humans are sensible about the way they do things, and if they’re lucky. Unfortunately, we can all guess how an existentially threatened population is likely to react; history gives us plenty of examples to draw upon. And “sensible” ain’t usually on the menu of options — unless one considers bigotry and senseless violence to be sensible.

So specifically, the humans have reacted by doing terrible things to themselves, and worse, to their children. But in addition to this horror, there’s a racial element that I want to be visible as a constant undercurrent of the tale. That’s because this society is descended from modern-day America, and in modern-day America, racism is a constant undercurrent. (Heck, it’s still an overcurrent, most days.) There’s also an element of sexism, given that my protagonist is female, and some heterosexism in that she doesn’t fit traditional gender roles, and classism given that her family lacks political and economic power, and so on. Basically the standard American dance card of social sins. But given my experience of dystopian fiction — I’m a fan — there’s a part of me that wants to remove all this complexity and reduce the story to just the point of dystopic divergence from our own culture. That’s what most dystopian stories do, after all. But all my instincts tell me that writing this story like other dystopian stories is exactly the wrong thing to do.
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Even if I tell you, you won’t know.

That raspy, too-sweet voice. Lil was in my home, making me breakfast, after eating some Orderkeepers that Shiny had murdered.

“What in the Maelstrom are you doing here?” I demanded. “And show yourself, damn it. Don’t hide from me in my own home.”

She sounded amused. “I didn’t think you liked my looks.”

“I don’t, but I’d rather know you’re not standing there slavering at me.”

“You won’t know that even if you see me.” But she appeared, facing me in her deceptively-normal form.

(A bit from The Broken Kingdoms, chapter 4.)

As I mentioned in the FAQ post a few days back, I sometimes get rather odd questions emailed to me from readers. Most recently I got one from a prospective reader, asking some questions that honestly just made me go Bwuh? At first I thought she was a troll, just yanking my chain. But as I thought about it, I began to think maybe she was legit. Out of courtesy I won’t quote or name her, but the paraphrase is that she wanted to know the protagonist’s ethnicity/race, and the ethnicity and race of her love interest, and whether there was sex in the book, and what kind, and who with, and how graphic, and who the protagonist fell in love with, and whether the protag was straight or not, and what flavor of non-straightness, and, and, and, and. She finished this cascade of questions by insisting that she just wanted to know what she was reading — before she read it.

OK, I understand the economics of the Long Tail. There’s a lot of books out there and life is short, so it helps to figure out which ones are worth your time before you read them. And I get that some people hate surprises. I also get that some people don’t want to run into material they find offensive or traumatic, or at least not without a warning so they can brace themselves. Not too fond of surprise racism or sexism, myself; this is understandable. But there’s a big difference between skimming the keywords, so to speak, and “knowing what you’re getting.”

If, for example, I were to judge Mark Twain’s Huckleberry Finn solely by its keywords, I might conclude that it was chock full of that whole surprise racism thing, and go elsewhere. But given that HF is in fact a critique of racism, and in fact serves as a valuable and necessary reminder of American sins past present and probably future, I would be wrong. See, the plain truth is that not all information can be absorbed in easily-digestible bites (or bytes). Text, especially fiction, is meant to be read in context. Looking at a few sentences can’t give you an accurate feel for what a whole book is trying to do; you need to read a good-sized chunk for that, and even then you might miss something important. This kind of information must be contextualized and contemplated, grokked and cherished, spit back and cud-chewed and then swallowed again once the taste changes. That’s the only way to really know what you’re getting. You have to take a chance. Sometimes that chance will pay off.

I mean, really. You want to know Yeine’s race? She identifies as Darren, though she’s biologically half Amn. Eventually she joins a third race, the gods, because that’s how gods are socially constructed in the series. What’s all that mean? Read the damn book.

I also get that some of us have trouble finding books that give us something we badly need to see. Female protagonists in fantasy, for example, or people of color who aren’t stereotyped, or gay people who don’t die tragically, or poor people who don’t marry wealth by the end of the story — believe me, believe me, I understand the craving to see Something Different. That’s why I wrote the Inheritance Trilogy, frankly — I just wanted to read some fantasy that didn’t bore me or piss me off, and there wasn’t enough of it already out there. So I wrote my own. I know not everyone can or will do this, so instead they look at the keywords to find what they’re missing among stuff that’s already written. But here’s the problem with sorting simply by Author, Race or Love Interest, Affectional Orientation or Sex Act, Explicitness, or whatever — it doesn’t work. I’ve read books by black authors, with black protagonists, that were so stuffed to the gills with racism that I had to throw them across the room. I’ve encountered ostensibly sexy books that made me yawn. You can’t know what you’re getting before you read a book, especially not if you’re going to use such a piddly sorting algorithm in the first place.

(And lest you think I’m only talking about sorting by demographic stuff like race or gender or orientation, no. I think that stuff contains some extra-strength WTF, true, but I think it’s silly to sort by any broad-brush measure — including genre. If you’re the kind of person who dismisses all romance as poorly-written wish fulfillment, or all poetry as incomprehensible gibberish, or whatever, I’m talking to you, too.)

So to that reader with all the questions: sorry, this is as much of an answer as you’re going to get. For one thing, you can find all the information you’re looking for by looking at your library’s catalog page for my book, or its Amazon listing, or in any database that uses keyword searching; please don’t waste my time by asking me to tell you something that’s readily available elsewhere. For another thing, even if I did answer, you still wouldn’t know what you were getting, so it’s a waste of your time too. But good luck in your search for… whatever it is you’re looking for. Hopefully someday you’ll read my books, and figure out whether they fit.

FAQ you, you FAQing FAQ!

As some of you may know, I started a new full time job recently. Yay, regular income and cheap health insurance! And the job itself is great so far, but since I’m still kind of a full time writer, time has just become my most valuable commodity. So to maximize my free time — so I can use it on writing, natch — I’ve decided to put together a Frequently Asked Questions.

Much of the FAQ will refer back to questions I’ve already answered here, in posts and comments. I’m also going to tackle a few questions that I seem to get more often by private email for some reason — not sure why. (Though maybe the fact that such questions usually involve either sexuality, gender, politics, or race is a big clue.) And I’ll also answer some basic questions about the Inheritance Trilogy, for those readers who can’t be bothered to read reviews or summaries for themselves. (Yeah, I get a few of those, too. I don’t even know. But I might as well answer them all at once rather than waste my time doing it individually.)

But here’s where you come in. Like I said, I’m a busy girl — so let’s crowdsource this baby! I’ve mentioned what I’m planning to include, but you, dear readers, have a better idea than I ever could of what sorts of questions you’d like to see permanently enshrined in the FAQ. So please throw me your questions in the comments.

A few ground rules:

a) Only questions about the Inheritance Trilogy, please — no questions about the fantasy genre as a whole, or about me, and no questions about the forthcoming Dreamblood books. I don’t mind the personal questions, but that’s not the point of this FAQ. I love genre questions, but this FAQ can’t be a bajillion words long. And I’ll do an FAQ for Dreamblood when circumstances demand.
b) It’s OK if your question has already been answered in a blog post or interview that I’ve done. The whole point of an FAQ is that this is something frequently covered; I’m just trying to consolidate the information in one spot.
c) No, I’m not going to provide a detailed, annotated summary of The Kingdom of Gods. Quit asking.

I can’t guarantee that I’ll add all your questions to the FAQ, note, due to length considerations. And I won’t be answering the questions here, now; that will be done in the FAQ. But where the questions do indeed turn out to be ones I’ve had to answer several times, and when I manage to come up with an interesting summary answer, I’ll add ‘em in.

So, FAQ me! And thanks in advance for any help you can offer!

Character Study: Itempas

OK, this got prematurely posted a few days ago thanks to the unmiracle of scheduled blog post publishing; I clicked “OK” when I should’ve clicked “Save for later”, basically. Took it down a few minutes later, but those of you on the RSS feed might’ve seen it already. Sorry ’bout the confusion. Anyway:

I spent a lot of time trying to decide whether it was safe to do a Character Study for the big guy yet, given that his role in the trilogy isn’t yet over. (Not a spoiler; if a god’s not dead, s/he’s not done.) Spoilers for both The Hundred Thousand Kingdoms and The Broken Kingdoms, obviously.

Continue reading ›

Award Strategizing

So now that 2010 is done and other authors are starting to put out their not-quite-solicitations for Hugo, Nebula, and World Fantasy award nominations, I suppose I’ll jump on the bandwagon. Sorta. Because I’ve got an odd request.

See, I’ve got two eligible short stories (“The Effluent Engine” and “On the Banks of the River Lex”) and two eligible novels this year. I’ve actually published three shorts, not two, but the third, “Sinners, Saints, Dragons, and Haints, in the City Beneath the Still Waters,” is ineligible for a Hugo or Neb due to being published in the UK rather than the US. (Feel free to nom it for a WFA or BSFA, tho’!) And while I was expecting a fourth story, “The Trojan Girl,” to come out in Weird Tales in 2010, it looks like that won’t be out ’til sometime in 2011.

Which leaves me with an odd dilemma, particularly regarding the Hugos and Nebulas, since it’s nominating time for both of those. While I’m very proud of my eligible shorts this year — I don’t even send out a story unless I’m happy with it — “Effluent” wouldn’t even be out yet if I hadn’t posted it for charity (the anth it’s due to be pub’d in won’t be out ’til later in 2011), and it seems somehow wrong to me to use a charity effort for such a self-aggrandizing purpose as an award. And to put it bluntly, I don’t think “Lex” is as strong as last year’s Non-Zero Probabilities. I get that the whole reason for annual awards is so that various authors can compete against each other, not so that an author’s body of work can compete against itself. But, well, personally speaking, I do compete against myself. So if another short of mine lands on the Hugo or Neb ballots, I want it to be as good as or better than the last one that did so. I don’t want to be one of those authors who gets on the ballot every year due to familiarity/popularity, assuming I ever get to be that popular. I would rather be nominated only when I’ve written something that kicks ass.

And given that it is a competition with other authors, I think there are stronger works out there that deserve the nom. I’m planning to nominate Genevieve Valentine’s “Seeing” for the Nebula, for example, because it’s the first hard-SF story I’ve read in years that pinged my sensawunda and my sense-of-damn-good-writing. Also thinking about nomming Saladin Ahmed’s delicious fantasy adventure Mr. Hadj’s Sunset Ride, because holy crap, zombies and gunslinging magicians and a realistically multicultural Old West! Pure fun.

But back to my point. My novels represent an even bigger dilemma, award-wise. I would definitely love to see either The Hundred Thousand Kingdoms or The Broken Kingdoms nominated for some major award… but because both books are eligible in the same category and the same year, they’ll inevitably compete against each other. It would be an honor if they could both end up on the various ballots, yeah… but realistically, that’s unlikely. It’s tough enough to get one thing on these award ballots, let alone two.

So to make a long story short (too late), I’m asking that if you can nominate any of my works for an award this year, please spend your vote on The Hundred Thousand Kingdoms. Not my short stories, not The Broken Kingdoms, to maximize my chances. I’m not gonna lie or pretend, ya’ll; I want to get nominated again this year. Hell, I want to win. So let’s see if this helps.

Postmodern Epic Fantasy?

Spotted an intriguing line in io9′s Power List of 20 people who rocked SF/F in 2010. I’m not one of them, alas, though I noted a great blurb there about Orbit’s publishing director Tim Holman. Tim rightly deserves the spotlight in that article, but, well, I’m just gonna own my narcissism here. What caught my eye was this:

Looking at Orbit’s 2010 titles, too, you’re struck by their range, from hard science fiction icon Greg Bear to space opera master Iain M. Banks, and from postmodern epic fantasy author N.K. Jemisin to steampunk innovator Gail Carriger.

So now I’m thinking, postmodern epic fantasy? Isn’t that kind of an oxymoron? Epics are an ancient art form; can they be postmodern? For that matter, what’s modernism in epic fantasy, and how does it contrast against postmodernism? And how does my work qualify?

I can’t answer this question, I think, because I’m too close to it. Plus I’m not trained in literary criticism; not sure I can keep my Derridas and deconstructions straight. So I’m throwing it out to all of you, amateurs and experts: what is postmodern epic fantasy?

ETA: And here my crappy memory kicks in, because I forgot there was a great mini-discussion of this very topic ’round the blogosphere just a few months ago. Paul Jessup has a good roundup of that discussion, which includes posts from Brandon Sanderson and Jeff VanderMeer, and which can add context to this one.

2010: The Year We Make Contact

And by “we,” I mean me and any of you who are reading this post, not aliens. (Of course, it’s possible aliens might be reading this. Interstellar voyages probably get really boring. Gotta pass the time somehow.)

It’s been… a weird year. The goods — my first and second novel published! a Hugo and Nebula nomination! the sale of two more novels! — have been very good. The bads — un(der)employment! a batshit roommate I had to sue! and one very scary family health situation — were pretty damn bad. I didn’t talk much about the bads in public because that’s just now how I roll, but trust me, they took their toll. Quite frankly, the whole year has been a real rollercoaster, emotionally, and while I wouldn’t trade it for all the years in history (hello, novel published, lifelong dream achieved, woo woo woo)… I’m kinda glad it’s over. And I hope next year is rather more, hmm, even.

2010 seems to be winding up with a bang, however. I’ve got a new job, the family health situation has resolved itself (thank God), and I won my lawsuit against the crazy roommate. In addition, the accolades for the first two books of the Inheritance Trilogy continue to roll in. On top of the Amazon best SF/F of 2010 and Publishers Weekly’s SF/F top 10 lists that I heard about last month, The Hundred Thousand Kingdoms has ended up on a number of other end-of-year top ten lists at blogs and retailer sites. These include Paul Goat Allen’s list over at the Barnes and Noble blog (which included The Broken Kingdoms!) and Ruth Arnell’s top 10 over at Fantasy Literature. W00t!

That part of 2010 I’ll keep, I think.

So what are your top 10s of (20)10?

My secret is out

Yes, it’s true. ::weeping:: I’m not the author of the Inheritance Trilogy. I stole the idea… from… from her! All-Purpose Cultural Cat NukuNuku!

the author in repose

She likes Massive Attack, as you can see.

Since her full name is unpronounceable by human vocal apparati and impossible to render in any printed language — plus really long — for legal purposes she requires me to act as her interlocutor. I knew I should’ve acknowledged her as the real writer from the beginning, but… but… the temptation was just too great. The riches… the fame… it all just got to me! But now, at the close of the year in which my first two novels were published, I feel morally compelled to come clean.

Fortunately, she’s the forgiving sort, especially since she got the good catnip for Christmas. So for the time being we’ve agreed that “N. K. Jemisin” will continue to accept byline credit… but now you know the truth.

I’m sorry, everyone. I know you’re disappointed in me. ::weeps more:: Please find it in your hearts to forgive me!

Walkin in a winter WTF

Local, writing-irrelevant griping here; all who are disinterested in the mundanities of my daily life please move along.

You may have heard that the northeast US got smacked with a massive snowstorm a couple of days ago. It’s the northeast; it happens. But this particular Snowpocalypse has been exacerbated by the worst snow-emergency response I’ve seen since I moved to this part of the country. The snow isn’t the problem; the problem is the complete failure of New York’s administration to send snowplows, etc. into the non-Manhattan boroughs of the city. A few main streets have reportedly been plowed, yes. But the bulk of Brooklyn still looks like this:

stalled bus on snowy street

This bus was still stalled in place 6 hours after I first saw it.

Most of the trains in the boroughs have been shut down since the storm. Buses are mostly shut down, or like the one in the photo, inoperable (and blocking streets in their inoperability). I trekked out to a nearby grocery store to buy food, and passed several stalled/abandoned cars and SUVs in the middle of the street. This is bad enough, but the (outpatient) hospital in my neighborhood is closed; a number of local medical facilities are in a similar situation. Staff just can’t get in to tend patients. The city’s entire emergency service system is virtually useless. People are dying here.

This isn’t the first time we’ve had two feet of snow, note, or a major holiday — or two feet of snow on a major holiday, for that matter. Usually I’m impressed by the city’s efficiency in such matters. I truly don’t know what’s going on this time, but man, somebody needs to get fired for it. And yeah, I’m looking at you, Bloomberg.

Fortunately, New Yorkers have been responding like New Yorkers. In my neighborhood, I’ve seen dozens of young men roving about with shovels, offering to help stuck drivers, elders, and so on, for free. Neighbors are looking out for each other, those who can climb over snow-mounds going out to buy food and supplies for those who can’t. People with motorized snow-removal machines have been using them on more than just the buildings/sidewalks they’re responsible for. The mosque, Catholic church, and synagogue in my neighborhood have all opened their doors to those in need of food, heat, or just companionship. Everybody’s doing a little more, and it is helping.

The City That Never Sleeps isn’t unconscious. Just kind of woozy and pissed-off.

So that’s my life lately. How’s yours?


 

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