N.K. Jemisin

Out now!

The Killing Moon

The Kingdom of Gods

In the desert city-state of Gujaareh, peace is the only law. Along its ancient stone streets, there is no crime or violence. Priests of the dream-goddess, known as Gatherers, maintain order: harvesting the dreams of the citizens, healing the injured, and guiding the dreamers into the afterlife. . .

When Ehiru-the most famous of the city's Gatherers-is sent to harvest the dreams of a diplomatic envoy, he finds himself drawn into a conspiracy that threatens to drag the dreaming city into war.

Learn more.

A Tale of Two Characters

Awhile back I mentioned offhand in another post that readers seem to be harder on my female characters than my male characters. This was in the context of analyzing one-star reader reviews culled from Amazon and Goodreads, and a few folks in the comments asked me to explore that topic further. So here’s a (hopefully) interesting exercise. I’m going to compare reviewer comments on two of my protagonists: Oree Shoth from The Broken Kingdoms, and Gatherer Ehiru from The Killing Moon. (For those who haven’t read either book, remember, you can read the first few chapters here and here, respectively. That might be enough for you to get to know each character, a little.)

To keep this simple, I’m going to look only at Goodreads this time. I’m a little hampered by the fact that few of the one-star reviews for both books have text attached, so I’m going to look at one, two, and three-star reviews in this case. And I’m just going to list individual lines from each review, where they seem to reflect the reader’s opinion of each character. You’re welcome to go over to GR and see the actual reviews if you like, but remember — I think reviews are valuable, even the “bad” ones, because they help me understand stuff about how my potential audience thinks. Please don’t be obnoxious to people who are actually helping me out.

Some spoilers hereforth.
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A world in which race matters

I’ve been thinking about this article for the last day or so. I posted a link to it on my Twitter feed yesterday, and saw a few reactions to it that seemed… confused. Part of the problem is that the article gets a little muddled at points, I think because it’s talking about a complicated concept: race as identity, versus race as socioeconomic marker within in the modern (racist) political structure. But part of the problem, IMO, is the misconceptions that readers were bringing to the article themselves. A couple even asked (paraphrase, since I didn’t ask them about posting their comment), does this person actually want racism added to their Dragon Age? Which is when I realized that, to a lot of people, race should only exist, or matter, where there is racism.

Which… yeah, OK, no. I mean, I get where this comes from, especially from folks who, like me, live in racist societies. When I say I’m proud to be a black American, it’s in spite of racism, while a white supremacist would declare themselves proud to be white because of racism. (Paraphrasing many people; not sure who originated this way of framing racial pride.) But I’m also proud to be black because blackness is fucking awesome. I am part of a people, and I revel in our collective uniqueness. Why wouldn’t I?

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How an author feels upon receiving her page proofs

Please excuse my messy kitchen and crap film production skills.

Slightly intimidating. On the other hand, I love this stage of the book production process. I probably shouldn’t, because at this point I’ve read the novel what feels like ninety times… but I do. This is the point where that year of sweat and harsh language starts to feel like a book.

A really, really, really big, book.

Whew.

Stuff I wrote (and read) in 2014

Since people keep asking, here’s the very short list of stuff I published in 2014. I’ll have you know I’m postponing a perfectly good snow day nap to write this up!!

I did have one more thing published in 2014, but please note that this was a reprint, originally published back in 2012 in the anthology After. No novels — yes, I know some websites kept insisting that The Fifth Season was out in 2014, but as you know, readers, that was just an error. (We have a pub date! TFS will be out on August 4th of this year.)

And in recommendations-from-me news, while I didn’t keep up well with my short fiction reading this year, you can take a lookback at my two NYT roundups for a sense of which novels I’m probably going to be voting for myself:

So now you know. And knowing is half the battle!

What I’ll be doing this weekend

I’ve mentioned a few times here that I’ll be one of the Guests of Honor at this year’s Arisia in Boston, haven’t I? Well, now I’m mentioning it again. Here are the events I’m scheduled for, if you’ll be there too:

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“To anthology editors”, a corollary

Nalo Hopkinson has an awesome and helpful piece up today on her website on how anthology editors can go about creating cohesive, thematically powerful collections that don’t just contain the same old voices all the time. All of her essay is good; go read the whole thing. I’ll wait.

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Launch Day!

Hi folks. Well, it’s official — as of today, the omnibus edition of the Inheritance Trilogy, and “The Awakened Kingdom” novella, both go on sale.

Cover shows a photorealistic, ornate stone door, superimposed with text reading THE INHERITANCE TRILOGY. At bottom, INCLUDES A BRAND NEW NOVELLA SET IN THE SAME WORLD, THE AWAKENED KINGDOM

The omnibus is available at all major retailers, print and ebook, and includes the novella. If you’ve already got the trilogy in separate-book form, however, don’t worry — you can buy just the novella as a standalone ebook for $2.99.

Awakened Kingdom ebook cover - shows stylized brassy stars exploding on a burgundy background, and book title.

It’s available for Nook, Kindle, and as a Google ebook.

As for the omnibus, here’s KING OZZYMANDIAS (or Ozzy, for short) to demonstrate just what a whopper it is:

Orange cat sitting next to a very large book.

In the next photo, he pushes it off the desk.

…Might wanna have it delivered. Just sayin’.

I usually post sample chapters of my novels, but since this is just a novella (about 1/3 the size of most of my books), and it doesn’t have chapters, I’m going to post a shorter segment, below. This is from the pre-copyedited version, note, and from a few pages in.

Happy reading!
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DA: Inquisition Story Review

So, since people keep asking me about this on Twitter, I’ll summarize my thoughts about this game, which I finished this past weekend. Emphasis on story vs other gameplay elements, so thus the post title. Spoilers herein, BTW, so a cut:
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Your groundbreaking is not my groundbreaking

Note: I will be mentioning a few spoilers in this post. Look away now if you’re not ready for that yet!

So, a few nights ago I started Dragon Age: Inquisition, the third game in a franchise I’ve liked a lot over the years. Just for shits and giggles I livetweeted my game for a few hours. Most of the feed is pretty dull — like, me eating dinner while waiting half an hour for the game to finish installing on my XBox’s hard drive. But once I finally got the game going and dug into the character creator, I felt a moment of sharp bitterness at the realization that even though I write fantasy, there are times when this genre is really, really hard to love. My in-the-moment reaction:

I ended up with this when I was done rolling up my character (sorry for the terrible image; it’s just a photo of my TV screen):

image shows a DA: Inquisition character: middle-toned black female elf with white facial markings and nearly bald shaven head

She’s okay. Not what I wanted. But okay. And that’s pretty much how the experience left me feeling, despite the fact that I’ve been stupidly excited over this game for something like three years. That pretty much killed the excitement right out of the gate. I’m still playing, but I’m not raving about this game to anyone, anymore. It’s just something to do, now.

So, this little experience has me thinking a lot about the concept of “normal”.
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You can tell a lot about a fantasy novel by its glossary

Was just working on the glossary for The Fifth Season. Glossaries are both fun and frustrating for me — fun because a glossary is worldbuilding at its most stark, and frustrating because it’s part of the story, and can enhance or detract from the reading experience if it’s mishandled. The tension between TELL THEM EVERYTHING, EVERYTHING, HA HA HA and tell them nothing, nothing, they don’t need to know gets kind of uncomfortable after awhile. That’s why I’ve asked that all of my glossaries be located at the backs of my books, rather than the fronts — because, like maps, they contain unavoidable spoilers to the reader about where the story’s going to go and what it will involve. I prefer for readers to figure that out the way the characters do, by living in the world’s context and immersing in its strangeness.

Still, the Broken Earth trilogy is the, hmm, biggest thing I’ve ever written, and the scope of it is forcing me to do some things I’ve never done before. The Fifth Season is going to have a map, for example. (Yeah, yeah, I’m breaking my infamous “NO MAPS!” rule, lemmealone.) But I needed one while I was working on TFS, which pretty much means readers are going to need one too, so I’ve spent the past few weeks working with an artist on my first-ever fantasy map. That’s been fascinating as hell — the first draft alone is awesome — and when it’s done I’ll tell you more about it.

And the glossary is bigger. I’m editing it down now, because ya know, the glossary shouldn’t be longer than the novel. In the process I’m trying to put myself into the head of a reader who skips ahead to read the glossary before reading the book, because I know full well some of ya’ll do that. ::mom eyes:: That way I can (hopefully) extract any spoilers before you impatient people hit them. :)

So, an exercise! Here’s a random page of the glossary, from which I think I have extracted any spoilery material. There should be stuff here that makes you scratch your head and want to know more, but not anything that would reveal Important Plot Secrets. Warning in advance that I might have failed in this, so I’m putting it below the cut if you’d rather not risk it. The rest of you, if you’re feeling brave, help me out!

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